The live session we did for Croissant Prod is now available to watch on youtube.
I produced a few songs for Le Flegmatic (my trombone player and friend). You can hear the album here. Les Inrocks have called it "a jewel."
I arranged a cover of Cupidon by Georges Brassens, performed by my friend Pauline Dupuy (Contrebrassens). You can hear it here.
I recorded the last EP of Angil and the Hiddentracks. You can hear it here.
You can go and see Michael's Facebook page if you want more news, and like it if you like his music!
Vinyl edition of Submarine Dreams
MonsterK7 and What A Mess! have released a limited edition vinyl of Submarine Dreams. It comes with a free immediate download and features 13 postcards with drawings by Gabríela Friðriksdóttir and is truly a beautiful object / preorder vinyl from MonsterK7 or What A Mess!
CD / Download
The album features 14 original drawings by Gabríela Friðriksdóttir / order Digipack or download here.
Also available in all good record stores via We Are Unique Records and on itunes, deezer, spotify...
Listen to Submarine Dreams
Live at Studio Garage, Paris
American Premiere of Coney Island Sous l'Eau.
The American premiere of Michael's Toy piano concerto was performed in New York at the Washington Square Music Festival on the 16th of July 2013.
The New York Times - Vivien Scheitzer (in print on July 18, 2013)
Two toy pianos were surrounded by grown-up instruments in Michael Wookey’s “Coney Island Sous l’Eau” (“Coney Island Under the Water”), written after Hurricane Sandy and the most rewarding of the pieces for toys on the program. A fairground tune unfolded on the toy piano, a bittersweet interlude evoked loss, and a syncopated bluesy melody evolved in a melancholic haze.
www.concertonet.com - Harry Rolnick
By far, the most interesting music was Michael Wookey’s Coney Island Under the Sea, originally for two toy pianos and other toy instruments à la Leopold Mozart. But Mr. Wookey’s purpose was far more serious. He had seen the amusement park after our monstrous Sandy hurricane last year, with a result of bitter irony. The little orchestra and piano alternated merry–go-round carousel-style songs along with dissonances and atonal observations. A clever concept that was short, gave its message and left us with a strange sadness.
Photo of the world premiere of the concerto in Paris at Théâtre du Chatelêt. (Photo by Mickagio)